BRUCHOVRAVY Three Songs, Three Dishes

Artistic direction & scenography: Dávid Koronczi
Performance: Adriána Vančová a.k.a. timmi
Cooking: Pavol Žiška, Dávid Koronczi
Production assitant: Martina Szabóová
Costume: Tina Zsapka

Supported by the Academy of Fine Arts and Design in Bratislava, VUNU Gallery.

Dávid Koronczi (*1990) is an interdisciplinary artist and the assistant of Martin Piaček at Studio vvv, Department of Intermedia at the Academy of Fine Arts and Design in Bratislava. In both his artistic work and doctoral research, he explores the intersection of growing, cooking and eating with artistic strategies, including the creation of objects, audiovisual works, and storytelling. His works and performances were shown at Taipei Biennal, Oerol Festival, Kunsthalle Košice, Slovak National Gallery, LONGTERMHANDSTAND Hall Budapest, Hellerau Dresden and others. He lives with his partner, a project manager and aspiring veggie grower Martina Szabóová and their daughter in the city of Lučenec and village of Ratka, south Slovakia.

Pavol Žiška (*1994) is a chef focusing on experiential vegetarian cuisine. Alongside cooking, he is currently developing a vertical farm dedicated to growing edible and medicinal mushrooms as well as microgreens. His passion for cooking began in childhood with his grandmother and later deepened through professional experiences in Bratislava, Prague, and Bergen.

Music producer Adriana Morn (Adriana Vančová, aka timmi) works as a solo artist and in collaborations. Some foundations of her work are derived from sacral music, from which she draws inspiration, creating modified parts she converts into vocals or keyboard riffs. She uses layered vocals anchored in her classically trained voice, translated into harmonies and micro tonalities typical for her expression. Synthesizers and keyboard instruments play an important part; early releases feature hardware generated dense drone tones with noise, piano, spoken word and vocals. Characteristic is the overlapping of abstract sound elements with crystalline synth or piano sounds and field recordings. Her debut "Theosis“ (2023) appeared on Stoned to Death and Řehole; further releases include the compilation "Prah" (Warm Winters). Her music also appeared on NTS and KIOSK radio, and others.

Venue Information

Spatial Access

The event takes place at FFT Düsseldorf.
FFT is located on the first floor of KAP1. The first floor can be accessed directly via lift. The floor numbers are indicated in Braille and tactile lettering on the buttons. The lift only stops on the first floor during regular opening hours (from one hour before each performance).

The doors at FFT are not automatic and are in some cases quite heavy. If you require assistance navigating the building, please feel free to speak to us on site or contact us in advance.

The foyer and performance spaces are step-free once you are on the first floor. In Bühne 1 there is a gallery level which is only accessible via stairs from the foyer.

The toilets are step-free; an accessible toilet is also available and is located between the other toilet facilities.

Distances

A paid car park (UFA Palast) is approximately 170 metres away.
The distance to Düsseldorf Central Station is approximately 150 metres. Depending on the mode of transport and platform, lifts and escalators are available.
For up-to-date information, please visit bahnhof.de.

Audience Situation

There is a range of seating options distributed throughout the space, including cushions, beanbags and chairs with firm backs (unreserved seating). Early boarding is offered.

Please indicate your access requirements when purchasing tickets so that we can accommodate them on site.

Information for Blind and Visually Impaired Visitors

Guidance System

At FFT Düsseldorf, in KAP1, there is a guidance system from the building entrance to the lifts. The system does not continue within the theatre spaces (box office, foyer, stages).

Please contact us in advance if you would like to arrange a pick-up service or on-site assistance.

Assistance Dogs

Assistance dogs are welcome at the festival. Due to the variety of venues and formats, we kindly ask you to contact us in advance.

Information for Deaf and Hard of Hearing Visitors

Unfortunately, we are unable to offer access provisions for Deaf and hard of hearing visitors for this performance.

Information on Comprehension and Perception

Language

English and other languages

Sensory Stimuli

The atmosphere of this show is relaxed and takes place in daylight. There is no use of loud music or bright lighting effects. Small amounts of stage smoke may be used.

Information on general organisation

On-site Assistance / Pick-up Service

If you would like to make use of a pick-up service from the nearest public transport stop or car park, please arrange this with us in advance.

Tickets

For festival tickets, you may choose the reduced price at your own discretion. Admission for one accompanying person is free of charge. To obtain a free ticket for an accompanying person, please use the code BEGLEITUNG when booking.

Please choose the ticket price you are able and wish to pay.

Contact

As a festival team, we work irregular hours, so we are not available at fixed office times.

Please contact us via:
• Email: barrierefreiheit@impulsefestival.de
• Telephone: +49 (0) 202 698 27 280 (you will reach an answering machine to arrange a call-back. Please leave your name, phone number, and your enquiry.)

Information about potentially sensitive content and sensory stimuli may reveal parts of a performance in advance. Please decide for yourself whether you wish to continue reading. The artists have provided the following notes on the content of the piece to help you make an individual assessment of whether you would like to attend.

If any information relevant to your needs is missing to plan your visit, please feel free to contact us.

Content
The piece draws inspiration from mourning rituals and may therefore address themes of death, grief, and associated ceremonies.

Lighting
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Sound
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Other
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